Wedding Photography tips: Neutral Density Filters – what the Singapore wedding photographer like me can’t live without

One of the biggest challenges for outdoor photography in Singapore is working with rather harsh lighting from the sun.  Some might argue that we have the same sun throughout this solar system, but having done assignments in various part of the world, I’d say that not only is the quality of light very different (the angle in which the light strikes on different part of the world seems different), we have a much longer duration of good light.

A typical outdoor photography session in Singapore usually gives us about 2-3 hours of good quality light, around 4pm to 7pm; in the last shoot we did in Melbourne, we had 7 hours of good light during summer.

To add salt to the wound, clear skies with nice dramatic is a rarity, and even when it happens, chances are that there will be little contrast between the clouds and the sky in what most people describe as a ‘washed-out’ sky.

What photography books will teach you is to use a flash to balance the exposure.  Yes, this method works but Skye Tan, a renowned fashion photographer in Singapore, shared with me his technique of using ND filters for outdoor photography and I can never thank him enough for that.  The idea is to use a neutral density (we’ll call it ND) filter in front of the lens, which not only help to trim down the exposure for the sky and rendering it blue, but also, it improves the contrast between the clouds and the sky.  Using a higher flash shutter sync will make the sky darker, but somehow those shot with the ND filter gives a better sky-cloud contrast.

And I thought lighting in Singapore was harsh enough, until my assignment in Morocco.  Just a week before my trip to Marrakesh in Morocco, a Master Photographer from UK, Kevin Wilson, shared with me how harsh light can get over in the North African city and I went with the ND2 and ND4 filters.  How good are these filters? Well, looking back now, I feel that they made my trip worthwhile!

So what exactly does ND filters do?  Here are some examples:

This is shot by Don Lim, another photographer who was assisting me for this photo shoot.  I got him to take this photo for comparative study later and the image is quite closed to how the scene looked like that morning @9am.  This is done with post-production for the skies to make it look bluer.  The intention of this image is not to show how bad it look (this image looks fine actually), but how much more potential you can get out of using filters for the same scene.


Shot with an ND2 filter with the strobe.  .  Look at the details and texture that we could get from the 4 brick structures, as well as the floor, even under such harsh lighting.  There’s very little post-production work that I did to this image to achieved to get this look.

We proceeded to the palm area and at 10am, we needed to trim off even more light from the sky and out came the ND4 filter from the bag.  Compared to the ND2, the ND4 filter cuts down by 2 stops instead of 1.


More examples from Singapore:

I managed to get the sky details without having to do any post-production to the picture. This was shot on a seemingly cloudy day.

One more example from a recent photo shoot in Singapore under extremely harsh 12 noon sun.  Again, look at how the filter managed to tame the scene down.  Very little or no post-production work was required to bring out the floor or skies details.  The warm tone and sky colour is applied in post-production.


In conclusion, are ND filters a good investment?  Yes, they can be inexpensive if you know where to buy them (Ebay & B&H are my best friends).  No doubt, some might argue even if we don’t use an ND filter, with some more post-production work, we might be able to achieve the same effect.  But that means additional work in Photoshop and in wedding photography, we deal with not one, but a series of images from the same scene for the clients’ album – attempting to do post-production on every image with the consistent amount of dodge/burn can be a nightmare and certainly a tedious task.

If you’re not convinced, you can always try it out with the cheaper ones out there (there are some good buys over Ebay) for a start.  Once you’re comfortable with it, you might want to upgrade to better quality ones like Lee filter or Tiffen.

To end off, many thanks to Skye Tan for his generous sharing of knowledge and techniques on how to bring the Skye sky out in the image 🙂 Also, thanks to Don Lim, for his permission to use the image for educational purpose.

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Jeanine & Mark – Top of the World@1-Altitude | Singapore Wedding Photography

When Jeanine & Mark told me about tying the knot at 1-Altitude, I was very excited because their event would be considered one of the first few weddings to grace the venue (in fact, some parts of the rooftop were having some on-going work in progress).  1-Altitude is

I love outdoor weddings simply because most of the wedding photography in Singapore are shot indoors and knowing how unpredictable the weather is over here, we were keeping our fingers crossed for great weather…

Over the past 2 years, international clients have formed the majority; out of the 30 jobs that we do each year, a good 80% are either 1) couples from overseas 2) couples working overseas 3) Singaporeans based overseas but having their wedding in Singapore.  Jeanine & Mark, like most of my clients, had guests from all over the world who really know how to enjoy themselves at a wedding!

Update on 18/07/2011:

Here’s a really nice slideshow of the wedding that I uploaded on youtube.  Let me know what you guys think of it.

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Ken & Lee Yen | Overseas bridal photography in London

Getting out of my comfort zone is really something that I’ve been working on since 2010.  Ask any photographers out there and they’ll tell you all the places that they like to do a shoot in.

If you ask me, London just happens to be one of those places that I had to step out of my comfort zone, and there’s a tendency to go back to the previous (and often touristy) sites.  When Ken and Lee Yen approached me to do a series in London, I actually sat down for a while to think about what more could I do in the location, trust me there are many photoshoots that are conducted there by other photographers from Singapore.

While the other part of me was drawn to this mystical charm of the busy city and for some strange reasons, someone showed me an image of Cannery Wharf underground station that really intrigued me.

I was attending the Master Photographers Association (UK) awards ceremony in Birmingham in Oct 2010, and just 10 days before I set off to UK, the job was confirmed.  I knew I had to do something more to make this worth my while, and now looking at the series that just made it as one of my featured portfolios, the rain and 6-degree cold that we endured in the morning of the photo shoot finally paid off!

Oh by the way, the lovely Cheong Sum is designed by renown gown designer, Tan Yoong.  Go check out this guy, he’s really one of the premier designers in Singapore.

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Weilun & Qiao Ling | Overseas bridal photography in Melbourne

1 month ago…

March 2011 had been a really busy month for us here in Lyrical Moments and above all the photo shoots, we had two overseas jobs at the beginning and end of the month.

ok, back to the present

I spent quite a bit of time reviewing and evaluating the photos that we have taken over the past month, not just because of the deadlines I had to meet to deliver the albums; I was looking around for the cornerstone images for Lyrical Moments and I don’t think I had to look very hard, which is a great thing!  I was also preparing for the workshop-cum-demo this coming Tuesday and trying to find which are the images that are worth mentioning.

This is one series that I’ve shot in Melbourne that I will highlight some examples.  I have photographed so many jobs in Melbourne, but this is one that we totally avoided the ‘common’ and ‘popular’ spots – especially those in the city (think Federation Square, Brighton Beach, Flinders Street station, the trams, etc).  My couple was exceptionally conscientious when it came to location selection and we had the advantage of one of their friends who happens to be living in Melbourne to drive us around.

At the end of the day, we had really good fun creating the series!

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Marina Bay Sands photoshoot – Sneak peek at our gear

Joseph, one of my assistants, took a candid photo while I was doing a photoshoot in Marina Bay Sands shopping area.  For folks not in Singapore, Marina Bay Sands is one of the two newly opened casinoes in Singapore, and I had the opportunity to do a photoshoot in an area where professional & commercial photography is strictly not allowed, which is why we do not see many wedding series shot there 😉

And no, I don’t always wear red for photoshoot…

 

Ok, a sneak peek of what equipment I used for the photoshoot –

  1. Main arsenal, the Hasselblad H4D-40 (unfortunately not the Ferrari edition) , mounted on a tripod. This is what I used for all my bridal and portrait photoshoots, 40 Megapixels of goodness.
  2. the 35-90mm HC lens that is mounted on the H4D-40 60% of the time
  3. The good old Pocket Wizard plus II which I hold in my hand.  This is used as a remote trigger for my camera.
  4. Pocket wizards Flex TT5, mounted on the camera to receive and send radio signal.  I bought the new Flex TT5 because it allows me to receive a signal from my Plus II on channel 2, send out a signal on channel 3 to trigger my flash/strobes. Sorry if this sounds complicated to you 😀
  5. A 17″ Macbook Pro, connected to the Hasselblad H4D-40 digital back via a Firewire 800 connection.  I shoot tethered most of the time, it’s almost mandatory now for several reasons a) I can see the entire preview on my 17″ screen vs 3.5″ on the digital back  b) the laptop powers the back and Hasselblad H4D-40 batteries are hopeless (Hasseblad are you listening?) and tethered vs non-tethered is 1 battery vs 3.5 batteries.

And this is the photo that I was creating…

More to come later, stay tuned! 🙂

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Yuh Huey & Trevor – “Courtship”

Here’s a favourite series that I shot recently.  Everyone worked hard for the images – 2 assistants, a pair of sporting couple, 1 photographer and a huge swarm of blood thirsty mozzies.  Yes, the photo entitled “The Missing Link” has received raving reviews on my Facebook page, check it out here

I’ll leave it to you to guess their professions, the “Courtship” photo says it all 🙂

The beautiful gowns are the creation of The Wedding Present bridal boutique.

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Our latest tool – Hasselblad H4D-40 digital medium format

I have been procrastinating about digital medium format for the past 1.5 years and the easiest excuse to cool the urge of getting one such system is to tell myself that these mammoth machines are just overkill for wedding.  As what many wedding photographers I’ve spoken to have said “Clients can’t tell anyway whether it’s 35mm or medium format”.

And then, came the invitation to attend a seminar that I should and shouldn’t have attended – the Hasselblad product launch held at Shriro Singapore.  The highlight of the event is the latest H4D range of digital medium format cameras and the H4D-40 simply caught my attention because of superb image quality that it can produce.  40 megapixels of goodness.

To me, all these stats means nothing to me until I get to try it for myself.  And the kind folks from Shriro Singapore, who is the distributer for Hasselblad product in Singapore and Malaysia loaned me a set to try out for my upcoming assignment. No obligations to buy if I don’t like it.

Seok Kuan & Charles were more than happy to be our lab rats for this.  The initial scepticism was that it ain’t goint to work because 1) like most medium format cameras, you can’t handhold it unless you’re using strobes  2) Files are huge, it’ll slow you down, kill your computer system later, flood your harddisks, tadi tadi tadi tadi…  Well, I bit the bullet anyway, and so long I have the good old Canon 1Ds mark III, what could possibly go wrong?

People are pretty much contented with what they have, until they’ve touch something that’s a lot better.   I did the assignment with the Canon DSLR on parallel with the Hasselblad H4D-40 and these are some of the images from the mammoth machine…

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Dynamic range is the biggest jump in terms of image quality when compared to the files from the 35mm DSLR – I get really nice tonal graduation especially in the highlights.  What amazes me is the amount of details I can recover from the highlights and shadows when required and if I’m to apply the same processing technique to a 35mm file, I would probably see the details breaking up or looking a little ‘powdery”.  The colors is something that even my clients can tell the difference straight off because of the richness and depth.

Noteworthy is the quality of the Hasselblad lenses.  Again, I’m not going to go into sharpness because that’s a very fundamental quality of most modern lenses anyway.  I tested the 80mm (used 10%) and 28mm (used 90%) and the 28mm is one of the best wide angle glass i”ve used so far.  Distortion is very well controlled , corner to corner sharpness which I could never get on the canon 16-35mm II;  best part is, the flare control is 2nd to none as you can see from one of the veil images that was shot against a strong backlight.

Having said all that, I’m going to be honest here about the limitations of the camera.  However, if you take the effort to work around it, it will do its job wonderfully.  Think of 35mm as a Chef knife and medium format as a parring knife.  A chef knife is going to be able to do 90% of the things you required, but if you require the finese, you’ll need a parring knife for that, which is going to be a lot harder and slower to use in comparison.  Going medium format WILL slow you down, don’t expect to do 10 frames-per-sec-and-pray-one-frame-got-it ; for one, each raw files (and they only have raw setting, no jpeg small, medium or large) is a whooping 54Mb in file size and opens up to 141Mb in uncompressed TIFF or PSD format.  Now that’s for 8-bit files and if you’re to do 16-bit, just multiply that by 2.  I did a 16bit TIFF file that turned out to about 3Gb per image by the time I put in all my adjustment layers and all.  No way can I spray and pray with this camera, it’s about getting the shot right there.  Every shot just have to be on the money or you’re going to be wasting a lot of time and resources culling those unwanted files.

Another reason why you can’t spray and pray would be the battery life of these cameras.  Each battery costs USD$228 from B&H photo or SGD$400+ if you purchase it locally.  Each full charge gives you about 200 exposures before it completely drained off.  In comparison, I have shot 1700 frames from the Canon 1Ds mark III and still left with 15% battery life, in other words, never have I ever completely drained a battery since I bought the camera in 2008!

What you see on screen really does do much justice to the image.  The prints made from it are simply stunning – loads of details at 20×30 print.  It’s not just how sharp the images are at this enlargement factor, it’s how smooth and crisp the details are at this point of ‘torturing’ the image.  It’s like comparing a Ferrari and Subaru WRX, no doubt the latter can go hit 180 km/hr, the car engine would probably be choking and trembling by then as compared to a Ferrari that can drive at that speed pretty effortlessly.  Digital medium format is a completely different class altogether and I’m pretty sure it won’t be just a tool for commercial and fashion photographers only.  Back to this thing about medium format being overkill, well, if a fashion photographer can shoot with digital backs for editorial spreads that are A3 size max, what more wedding photographers who are doing much bigger prints like 24×12″ for our albums or 30×45″ for our canvases?

Lastly, I would like to say a big thank you to Lawrence from Shriro Singapore for loaning us the equipment for the photoshoot.  I’m sure many people who are reading this will be itching to get their hands on a set to test drive soon 🙂

Coming up next… Side by side comparison Hasselblad Vs Canon 35mm

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Overall 5th placing on AGWPJA for 2009!!!

I’m delighted to announce that after 4 quarterly AGWPJA competitions, with 12 winning entries, I have been placed overall #5 for the year 2009! Last year, I was placed overall #5 for WPJA for year 2008 and wondered if I could pull off the same for the AGWPJA…and it finally came true! Many many thanks to all my couples for going against the grain and putting their faith in the quest for more experimental and cutting edge work. I don’t think any of these would have happened without their support, so thank you, thank you, thank you! 🙂

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